The queen desires you to use some gentle Entertainment to Laertes before you fall to play.

What DOES the Queen mean here? She surely doesn’t mean a recitation of poetry or some light soft rock playing.

If Hamlet’s actual actions in the scene have met her request, it’s some light banter and a heartfelt apology.

I think it’s probably an exchanging of niceties, really. 

Why does a grown man need to be suggested such a thing via a third party? And not even a third party with a name.

It’s a little bit patronizing.

But it also makes me wonder if there’s some coded messaging that might happen between mother and son in such a codified environment. These two haven’t talked since they discussed Hamlet Senior’s murder. They haven’t even had a chat since Ophelia died and Hamlet tried to leap into her grave.

Is this instruction as patronizing as it seems or does it contain some message? Or did it contain a message that the lord has observed in his reporting of it?

Probably it’s just a motherly suggestion of being nice to your opponent before you try to kill him with a sword – but maybe there’s more!

In happy time.

I would love it if folks who worked in service started to use this. Like, if you asked for an extra spoon at a restaurant, the server could say “In happy time.” And the good thing about it would be that they could mean it sarcastically without it sounding so necessarily – so it could stand for a kind of cushion of time. It could SOUND like “right away, sir” but could MEAN “just as soon as I get around to it and it might be a while.”

Because happy time is likely to mean different things to different parties.

The king and queen and all are coming down.

Where are we now and where are the king, queen and all?

It would seem, since they are “coming down” that they are upstairs and this hall is down. Is there an upstairs throne room and a downstairs fencing hall? What is the architecture of Elsinore? I have a lot of questions about it.

Which spaces are private, which are public, how big the rooms are, what the casements are like…is there a literary architecture department somewhere that has studied this?

Of course, the lord could just mean “coming down” in the sense of “coming down the hall.” That’s also an option.

If his fitness speaks, mine is ready; now Or whensoever, provided I be so able as now.

The journey of “fitness” from a quality of being suitable, to the ideal physicality of the body is very interesting to me.

“Fitness” as we use it today first came in to play in the 30s and you know, I’m a little uncomfortable about that timing. Fitness as an ideal physicality is a little close to the Nazi ideals of supermen and perfection – genetic superiority and such.

The word once meant something akin to appropriateness and the fact that we shifted that idea to bodies is a little disturbing. In the ever striving for “physical fitness,” so many strive for an unattainable ideal instead of, just, like, being able to do stuff.

Fitness conjures images of women with no fat on their bodies in pastel leotards and shiny tights.

My training in Feldenkrais leads me toward words that have more possibility. Instead of physical fitness – I’m interested in physical readiness – physical potentiality. The more stuff you can do, the more potential for movement you have, the more choice.

It’s not: Can you join the army of genetically identical warriors? But – Can you learn to do a somersault with a child if you want? That’s readiness. The readiness is all.

They follow the king’s Pleasure.

Once upon a time, I could not fathom what it might be like to be a king, catered to on every point. I did not know what pleasure might mean for a king. To want things and have them delivered seemed so far out of my perceived experience. My cultural conditioning taught me to give pleasure, not receive it. Then, I would have said my only desire was to please others.

But now I know that that’s because I had not learned to recognize my own desires. It took purposeful attending to myself to learn my actual desires. Now I think I could even articulate some. I could call out orders like a king.

But even so – every so often I catch myself still catering to the kings instead of being one.

I am constant to my purpose.

I am, too, Hamlet. I am too.

I think of my purpose as a thin red string that I follow through all manner of places and weathers and environments and conditions but I never lose sight of it.

I used to think it was leading me somewhere – either as punishment or reward – but now, I recognize that it is the following that is the point.

It’s not being led – it’s staying true to ones own purpose, one’s compass, one’s truth.

I’ve sacrificed many things to stay true to that.

He sends to know if your pleasure hold to Play with Laertes, or that you will take longer time.

Mmmm. “Play” with Laertes. Sure. It’s a game. Sure. I mean – it’s a particularly misleading way to talk about a fight. Like – if it were a boxing match and someone came in to ask you if you were ready to PLAY with Mike Tyson. Uh. It’s a fight, right? A match? A sparring?

We use “play” in the context of contests like chess – which are also matches – but when swords are involved, can we rightly call it play? Unless you’re eight and you’re using toy swords, it seems like a stretch.

My lord, his majesty commended him to you by young Osric, who brings back to him that you attend him in The hall:

It’s interesting that this random Lord makes a point of calling Osric “young.” Osric doesn’t seem young and maybe he isn’t. It’s possible that this lord is very old and everyone is young to him – though it doesn’t seem nice to send an old man to do your errands.

Why does the king send this guy instead?

It’s possible, of course, that Osric has been flustered by the exchange with Hamlet – but I doubt he’d have the authority to unselect himself for the message delivery job. It’s the king’s choice to send Osric and then not send him. It’s the king’s choice to send “lord” who describes Osric as “young.” Why?

a kind of Yesty collection, which carries them through and Through the most fond and winnowed opinions, and do But blow them to their trial, the bubbles are out.

Yesty is interesting. It would seem to be connected to Yeasty – which I suppose calls to mind a self-expanding substance that pushes itself into any empty space. But Yesty has a big YES in it as in a Yes Man saying yes no matter what is presented to him, which also rather neatly represents Osric. He is both Yeasty and Yesty. Yessy?

I wasn’t clear what the bubbles were doing in this line at first – but then I thought some more about yeast and realized that when yeast is at work, it does create bubbles. Rising dough is full of bubbles. That’s why you knead dough, to bring it all back down to earth by bursting the bubbles.

Thus has he – and many More of the same bevy that I know the dressy age dotes on – only got the tune of The time and outward habit of encounter.

This line makes me wonder if Osric might be on the autism spectrum. Or rather this description of Osric reminds me of what I’ve come to understand is a coping mechanism for neurodivergent people, particularly those on the spectrum. If you can’t quite read people or loud social encounters intuitively – then learning a few outward expressions is a great way to survive.