I can’t help it. I’m obsessed.
I can not stop reading and watching coverage
Of the protest events at UC Davis.
I’m thinking of it again now
Because I’m impressed with Marcellus – Who knows when to disobey an order –
And I’m thinking about the military and the militarized police
In riot gear
With guns and visors
And pepper spray – on a quiet and peaceful college lawn.
Someone gave that order and someone
Should have said it was not right to obey it.
I am curious about what triggers violence as easy as watering a lawn
(five minutes before the man sprays pepper onto a line of peaceful students sitting on the ground, the video shows him chatting with them and patting them on the back)
but I am also curious about what triggers my own interest and outrage and investment.
I have seen horrible police violence before
The bleeding foreheads from the Zuccotti park raid,
The rubber bullet welts from all over the country
The veteran in critical condition from Oakland police action,
The students jabbed with batons in Berkeley,
And I was upset
Of course I was
I looked and got upset
And then looked away again.
This time, though, I can’t look away.
I wonder if it’s because I have stood
On the very same patch of earth
That those students sat on.
I know what that air smells like
I know what the atmosphere feels like
I can vividly imaigne it all and find myself
So proud of a student body that when I was part of it, I took Zero interest in.
Now, they are fighting, now they’re in a war
They make me want to join up –
Help them challenge those that gave the orders
As well as those that ought to have disobeyed them.
Marcellus
Let’s follow.
When I don’t know what to write
(Like when I’ve followed the “following” thread multiple times already)
I follow the line of the pen
starting from a small dot and circling around itself
wider and wider until it slips off the page
or into some other spiral.
It’s a trick Matilda taught us this summer –
A way to keep the pen moving when the mind wants to stall
When it wants to give up
Or start editing and judging
When it wants to stare out the window
Instead of filling up the page.
It has come very much in handy, this spiral trick,
Because it helps me follow my thought in writing
But also
When listening
When trying to follow a spoken line
The following of a circling line
Comes in very handy.
You shall not go, my lord.
Marcellus risks the transgression of boundaries.
One doesn’t usally issue commands to a prince
But Marcellus risks it. Horatio does too, but Marcellus pushes it farther.
I’m really keen on this Marcellus as Hamlet’s closer friend at the top of the show idea.
There is some parallel story that could fall into place; Marcellus gets his own play
Like Rosencrantz and Guildenstern. Every bit I read adds up to this new point of vew.
Then, of course, there is the Marcellus Quarto, famous for having a really fleshed out
bit of text for Marcellus and a little bit spottier printings for the rest of the cast.
Maybe in that quarto, the guy playing Marcellus inserted himself a little bit more prominently in the text.
But Marcellus disappears.
What is the title of his play?
Marcellus knows where they can find him most conveniently
Marcellus will not let him go.
But do not go with it.
Wait, wait. I know I’ve just been telling you
All about this action, this wave
That would seem to sweep you from this place.
It was me who told you what it meant
Where you were meant to go.
I showed you the path, gave you the compass
But I didn’t mean for you to take it.
Look with what courteous action It waves you to a more removéd ground.
Is this ghost particularly polite in his actions?
Particularly kind and solicitous? When we think of courtesy now,
We think of courtesies done, little extras, perhaps, in service.
In looking at the word, I wonder about its relationships to the court –
Is courteousness a quality of being a courtier?
I don’t think of a royal court as a place
Of great kindesses and graces
Although certainly it is full of appearances of those things;
Courtesy being a show, in some sense.
What then is this courteous action the ghost is performing?
Is it somehow refined? Somehow official?
And how is it doing that while simultaneously
Waving its son to a place farther away?
Does he have a place in mind for this meeting?
Has the ghost been imagining how this conversation would go
Since he rose from the dead?
I picture Hamlet Sr., the ghost, talking to himself:
“I’ll appear up there on the battlements until they bring Jr. Then,
I”ll take him to that garden my son of a bitch brother killed me in
And I’ll sit him down and give him the goods.”
Maybe he practices his speech while stalking the parapets.
Particularly that list, list, O, list part.
No, it is struck.
Tibetan bowl.
The enemy.
Rug.
Bell.
Grandfather clock.
The face of the hysterical person.
The set. The Hour.
Our duty to your honor.
Hamlet talks about love
The others talk about duty and honor.
Hamlet tells them he will requite their loves
They tell him they will honor their duty to him.
He’s going to correct them in the next line
Remind them that it’s love he’s talking about
Not duty
Or honor.
As the prince, I guess, he has the freedom
To love whomever he wants
But those he loves have to be
A little more cautious about that line.
It’s actually a little sad though
That Hamlet loves and is met
With honor and duty
Which he requites with love.
While it certainly is a privilege to be able to express love
Where another cannot,
Is it not painful to be always loving first
To be making the space for love
To be bringing love out into the open
And never receive it?
This has no significance anywhere else in the play.
Longer, longer.
Just when you think the day is enough
No, no – it must extend, extend into the night
Until we are working nonstop
For hours upon hours.
At an artist talk last night,
The director extolled the benefits of being irresponsible
He asked “Who will corrupt our youth?”
His actors, he says will want to work
On their parts at 3 am and
All he wants to tell them is
To get drunk
Get laid
Take an actual break, kids!
Some people get better at working
Others get better shirking
But in a world in which we work 24-7
We all feel like we’re shirking at some point
Sometimes all the time.
My lord, from head to foot.
Transformation
Understood
Through the body.
I cannot point to my thought
I can’t gesture at my feelings
I can only show you my head
In a different place on my neck
My neck related to the shoulders
And so on and on.
You will see the change
Or maybe you feel it.
Armed, my lord.
To have arms –
Well, that’s lucky
Arms and shoulders and wrists
And hands
All the territory of arm.
I’m grateful to be armed
Even when my recalcitrant wrists won’t bend
In quite the way I’d like
Even when my shoulder clicks when I turn it forward
Even when the flesh on the top of it
Flops just a little bit and makes me self-conscious
Even so –
I am armed to hold people that I love
Armed to comfort
Armed to gather things and carry them
Armed to carry
Armed to lift
Armed to open doors and windows
Armed to dance.
That’s well armed.