Mine ache to think on’t.

I think about bones a lot. My training in the Feldenkrais Method is probably the main reason for it – but I thought about bones even before that training. I’ve broken several bones over the course of my life – so that’s one awareness I developed early. Age eight? I think? Or seven? When did I chip that elbow? I was nine when I broke my wrist and ten when I broke the other one.

Then in my teens I started going for Alexander Technique lessons and that got me thinking about bones in the whole skeleton.

I understand the sensation of feeling an ache in ones bones – it feels like a very deep tired – but technically I understand that it is not possible to feel an ache in your bones. There aren’t nerves in our bones – even if it feels like we feel them.

Here’s fine revolution, an we had the trick to see’t.

Here now is a fine example of a line that might be stretched and pulled to fit a variety of lens.
Marxists, for example, might make much of this revolution.
It’s a line that could be used for any revolution.
We could use it now, in fact. I do feel as though I’m getting to see a revolution of women right before my very eyes. It is a trick to see it. And a kick.

However – I’m almost certain that this is not the sort of revolution Hamlet means. I mean, he’s talking about the ironic circle of life. The revolution is a turning of the globe, a turning of life, the way a woman who might have knocked peasants upon the head for fun is now unceremoniously knocked about the head by a gravedigger.

Chapless, and knocked about the mazzard with a sexton’s spade:

Of course this is a great indignity. No cheeks to pinch or rouge – or even a jaw to drop in surprise. Lady Worm, who was once a lady, is now not just a skull – but a mazzard, which is an even more undignified word than skull.
And to be knocked about it with a spade? The horror! The horror!
The only word that retains any dignity is sexton – which is usually the steward for sacred objects – things like relics and sacred bones – and here, the sexton bats a skull around with a shovel. The gravedigger is elevated to a holy position and Lady Worm is laid lower than she ever imagined possible.

And now my Lady Worm’s.

Every lady at the ball was jealous of Lady Worm. “How does she stay so long and lean?” asked Lady Mole.
“And so graceful?” asked Lady Chicken.
“Well,” said Lady Badger, “when you don’t have limbs, you never have to worry about where you put them.”
“And to do so much! She seems to be able to be in so many places at once!” exclaimed Lady Mule. “What does she do, clone herself?”
“Cut herself in half and send her one part to the flower show while the other picks up her daughter from tennis camp?” asked Lady Mantis.
This sent all the ladies to murmuring and then Lady Worm passed by in her evening dress and they all got quiet, then stepped all over themselves to greet her.

Why, e’en so.

While I’m here in Vancouver, I decided I wanted to rent a guitar. I didn’t want my callouses to disappear, nor did I want to lose the facility that has taken me many months to build back up.

Guitar stores are generally not made for women. They are usually staffed by men who are particularly invested in the guitar as part of their masculinity. This does not make them inclined to facilitate a woman getting her hands on a guitar.
And while the fella at this music shop was perfectly acceptable in his customer service, I did notice that the entire staff at the warehouse size music shop was male.

So even without the active sexist atmosphere of a guitar store, it remains ever thus.

Ay, my lord.

Has some scholar made a study of how often Horatio says yes to Hamlet? He affirms him in so many ways, so many times. It is his essential role in this play – to just affirm and keep Hamlet from just talking to himself all the time.
Horatio is so much Hamlet’s reflection – it might be possible to do a production wherein Horatio is just Hamlet’s alter-ego – another side of himself that just listens to him. The only scenes that would be trouble for are the two scenes that Horatio is in without Hamlet – the opening and the one where he receives the letters. Every other time, he could just as easily be in Hamlet’s imagination.

Might it not?

Humans are so funny. We so crave affirmation from one another for our thoughts. Perhaps we choose our friends by how much they will affirm us.
Those who refuse to affirm our ideas are not likely to affirm our humanity.
My friends are largely likely to agree in the affirmative if I ask them a question like this. And Horatio does this for Hamlet in so many ways.

This might be my lord such-a-one, that praised my lord such-a-one’s horse, when he meant to beg it.

My lord such-a-one met my lord whatchamacallit at a party thrown by lord so-and-so. They all had animated conversations about this and that and as the night drew to a close, they all passed through the what’s-it-called to get to the stables. Lord such-a-one became quite envious of the other’s horse and conceived of a plan to ask him for it. This scheme began with some lavish praise of the animal and he hoped it would end with the reins in his own hands.